The Town Musicians of Aarhus

– A Tale of Shaping Contemporary Musical Life

   By Assistant Professor Nicolas Sublet

“The Town Musicians of Aarhus – A Tale of Shaping Contemporary Musical Life” was a multidisciplinary project that explored the capturing cultural contributions of the Stadsmusikanter in and around Aarhus in the 1760s. It sought to envision what shape their actions and programs could take in Aarhus in 2025, and to experiment with the potential of this musical approach.
A Stadsmusikant was a royal-privileged musician in Denmark who held a monopoly on providing music for both private and public events in towns and rural areas. This system, fully established by 1660, was akin to a guild structure, with master musicians overseeing apprentices and assistants. Stadsmusikanter performed individually or in groups, offering a repertoire that spanned classical art music, church music, and popular dance tunes. Their work introduced new instruments, musical styles, and cultural norms, often contrasting sharply with rural traditions.
In its initial phase, I, along with twenty-eight RAMA students, Frederik Larsen (guitar), Niels Christian Hansen (music theory, history, analysis) and Mo Yi (violin), reconstructed four musical events reminiscent of those held in 1760s Aarhus. Archival materials from Count Frederik Danneskiold-Samsø’s city house were employed for programming the “art music” of the time, while a music collection from Boes near Skanderborg was used for more “popular music.”
Concerts:
30/11/2024, 19:30, Symfonisk Sal, Musikhuset Aarhus (reminiscence of the link between Stadsmusikant and apprentices)
26/01/2025, 10:00, Church service in Vor Frue Kirke, Aarhus (reminiscence of church-related activity)
08/02/2025, 15:00,  Vor Frue Kirke, Aarhus (reminiscence of an art music concert)
22/02/2025, 20:00,  Fairbar, Aarhus (reminiscence of a popular Baroque music event)
Building on this research and on the analysis of the practical revival of the Stadsmusikant, the second phase focused on reflections about the modern musician’s role in the city. RAMA students identified five guiding ideas:
  • Organize concerts that are meaningful for the city and society
  • Create performances that go beyond the traditional concert format
  • Connect classical music with other artistic or social dimensions
  • Expand beyond the classical repertoire
  • Perform outside conventional concert venues
As a case study, the Meditative Concert was conceived, organized, and performed by RAMA students, presenting works by living composers and embodying these contemporary approaches to musical engagement.
Concert:
13/06/2025, 19:30,  Domen, Aarhus
Watch Malte Bülow’s mini-documentary on the project here:

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