{"id":37767,"date":"2026-01-26T19:14:57","date_gmt":"2026-01-26T18:14:57","guid":{"rendered":"https:\/\/musikkons.dk\/?page_id=37767"},"modified":"2026-04-22T15:26:45","modified_gmt":"2026-04-22T13:26:45","slug":"chamber-music-for-tomorrow-collaboration-diversity-and-excellence","status":"publish","type":"page","link":"https:\/\/musikkons.dk\/en\/what-else\/research-and-development\/educational-development\/2025-26\/chamber-music-for-tomorrow-collaboration-diversity-and-excellence\/","title":{"rendered":"Chamber Music for Tomorrow: Collaboration, Diversity and Excellence"},"content":{"rendered":"<div class=\"img-container\"><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-23486\" src=\"https:\/\/musikkons.dk\/wp-content\/uploads\/2023\/02\/nicolas-sublet-profil-285x300.jpg\" alt=\"\" width=\"285\" height=\"300\" \/><img loading=\"lazy\" decoding=\"async\" class=\"alignnone size-medium wp-image-1487\" src=\"https:\/\/musikkons.dk\/wp-content\/uploads\/2019\/07\/Henrik-Brendstrup-232x300.jpg\" alt=\"\" width=\"232\" height=\"300\" \/><\/div>\n<p>Nicolas Sublet &amp; Henrik Brendstrup<\/p>\n<p><strong>\u201cChamber Music for Tomorrow: Collaboration, Diversity and Excellence\u201d<\/strong>\u00a0\u00a0 is a two-year pedagogical development project designed to address a key question: how can a closer collaboration between teachers and students, combined with a rebalancing of the repertoire to include more works by female composers, improve chamber music education at the conservatory and contribute to the artistic excellence and evolution of the Danish musical landscape?<\/p>\n<p>The project combines collaborative rehearsals, public performances, reflective activities and evaluations on the impact of the project itself.<\/p>\n<h4>The project<\/h4>\n<p>In the first year, Prof. Henrik Brendstrup, Ass. Prof. Nicolas Sublet, the new French association dedicated to promoting female composers HE(A)R and Aarhus Musikforening design chamber music programmes\u00a0 for three concerts. The project reintroduces a side-by-side teaching model in which students and teachers rehearse, reflect and perform together. This approach bridges academic training and professional practice, encourage dialogue, and deepens ensemble awareness.<\/p>\n<p>Rehearsals are accompanied by student-produced videos reflecting on the artistic and emotional impact of the repertoire.<\/p>\n<p>In the second year, students take\u00a0greater responsibility for repertoire research, programme design, and concert organisation in collaboration with teachers and the association\u00a0HE(A)R. Three additional concerts are presented, supported by reflective videos and theory workshops.<\/p>\n<p>The project concludes with an evaluation and a final report assessing its artistic and pedagogical impact.<\/p>\n<h4>Concerts<\/h4>\n<hr \/>\n<div class=\"img-container\"><img loading=\"lazy\" decoding=\"async\" class=\" wp-image-38241 alignright\" src=\"https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-212x300.jpg\" alt=\"Chamber Music for Tomorrow: Collaboration, Diversity and Excellence\" width=\"235\" height=\"332\" srcset=\"https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-212x300.jpg 212w, https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-724x1024.jpg 724w, https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-768x1086.jpg 768w, https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-1086x1536.jpg 1086w, https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-1448x2048.jpg 1448w, https:\/\/musikkons.dk\/wp-content\/uploads\/2026\/03\/Poster-Foku-DJM-22.01.26-2-scaled.jpg 1810w\" sizes=\"(max-width: 235px) 100vw, 235px\" \/><\/div>\n<p><strong>29\/11\/2025, 13:00<\/strong> Symfonisk Sal, Musikhuset Aarhus<\/p>\n<p><strong>Mendelssohn, string Symphony No. 10 in B minor<\/strong><\/p>\n<p>Bacewicz, Concerto for string orchestra<br \/>\nShostakovich, Chamber Symphony Op. 110A<br \/>\nPrice, arr. Fine, Adoration<\/p>\n<p>&nbsp;<\/p>\n<p>Hear students&#8217; perspectives on the emotional impact of the pieces here:<\/p>\n<div class=\"embed-responsive embed-responsive-16by9 mb-40\">\n    <div class=\"cookie-notice-box-custom hidden\">\n        <div class=\"cookie-notice-content\">\n            <div class=\"cookie-notice-icon\">\n            <\/div>\n            <h2>The video was blocked<\/h2>\n            <p>The video cannot be shown because you have not given permission for the website to use marketing cookies.<\/p>\n            <button id=\"open-cookie-settings\">Cookie settings<\/button>\n        <\/div>\n    <\/div>\n    <iframe loading=\"lazy\" title=\"RAMA Classic 2025 \u2013 strings\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/YqGazQnCC30?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p><strong>28\/02\/2026, 15:00,<\/strong> Lille Sal, Musikhuset Aarhus<\/p>\n<p><strong>An intimate dialogue: Gabriel Faur\u00e9 &amp; Adela Maddison<br \/>\n<\/strong>Faure, piano quartet No. 1 in C minor,<br \/>\nMaddison, piano quintet<\/p>\n<p>Hear students&#8217; perspectives on the emotional impact of the pieces:<\/p>\n<div class=\"embed-responsive embed-responsive-16by9 mb-40\">\n    <div class=\"cookie-notice-box-custom hidden\">\n        <div class=\"cookie-notice-content\">\n            <div class=\"cookie-notice-icon\">\n            <\/div>\n            <h2>The video was blocked<\/h2>\n            <p>The video cannot be shown because you have not given permission for the website to use marketing cookies.<\/p>\n            <button id=\"open-cookie-settings\">Cookie settings<\/button>\n        <\/div>\n    <\/div>\n    <iframe loading=\"lazy\" title=\"An Intimate Dialogue - Gabriel Faur\u00e9 &amp; Adela Maddison\" width=\"900\" height=\"506\" src=\"https:\/\/www.youtube.com\/embed\/syxHT1D3XW8?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/div>\n<hr \/>\n<p><strong>19\/04\/2026, 15:00,<\/strong> Lille Sal, Musikhuset Aarhus<\/p>\n<p><strong>Richard strauss\u00a0<\/strong>(1864-1949): Prelude to the opera\u00a0<em>Capriccio\u00a0<\/em>for string sextet (Op. 85)<\/p>\n<p>Songs for soprano and piano:<\/p>\n<ol>\n<li><em>St\u00e4ndchen\u00a0<\/em>Op. 17 No. 2 (text by Adolf Freidrich von Shack)<\/li>\n<li><em>C\u00e4cilie\u00a0<\/em>Op. 27 No. 2 (text by Heinrich Hart)<\/li>\n<li><em>Morgen\u00a0<\/em>Op. 27 No.4, with violin (text by John Henry Mackay)<\/li>\n<\/ol>\n<p>Simone Blanchard (1893-&#8230;?):\u00a0<strong>Inner voice (Vox intereure)\u00a0<\/strong>(piano trio, c. 1920)<\/p>\n<p>Nancy delberg (1881-1949):\u00a0<strong>The evening clouds (<em>Aftenskyerne)\u00a0<\/em><\/strong>(text by H. V. Kaalund)<\/p>\n<p>Jules Massenet (1843-1912)<\/p>\n<p><strong>Elegie for soprano, cello and piano.<\/strong><\/p>\n<p>Jessi Montomgery (b. 1981)<\/p>\n<p><strong>Duo for violin and cello\u00a0<\/strong>(2015)<\/p>\n<ol>\n<li>Meandering &#8211; 2. Dirge &#8211; 3. Presto<\/li>\n<\/ol>\n<p>Dmitri Shostakovich (1906-1975)<\/p>\n<p><strong>2 Pieces for string octet, Op. 11\u00a0<\/strong>(1925)<\/p>\n<ol>\n<li><em>Prelude: Adagio &#8211; 2. Scherzo: allegro molto<\/em><\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Nicolas Sublet &amp; Henrik Brendstrup \u201cChamber Music for Tomorrow: Collaboration, Diversity and Excellence\u201d\u00a0\u00a0 is a two-year pedagogical development project designed to address a key question: how can a closer collaboration between teachers and students, combined with a rebalancing of the repertoire to include more works by female composers, improve chamber music education at the conservatory [&hellip;]<\/p>\n","protected":false},"author":23,"featured_media":23538,"parent":39615,"menu_order":5,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v22.0 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Chamber Music for Tomorrow: Collaboration, Diversity and Excellence - Det Jyske Musikkonservatorium<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musikkons.dk\/en\/what-else\/research-and-development\/educational-development\/chamber-music-for-tomorrow-collaboration-diversity-and-excellence\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Chamber Music for Tomorrow: Collaboration, Diversity and Excellence - Det Jyske Musikkonservatorium\" \/>\n<meta property=\"og:description\" content=\"Nicolas Sublet &amp; 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