{"id":27880,"date":"2023-12-12T14:46:13","date_gmt":"2023-12-12T13:46:13","guid":{"rendered":"https:\/\/musikkons.dk\/events\/27878\/"},"modified":"2023-12-12T14:47:11","modified_gmt":"2023-12-12T13:47:11","slug":"27878","status":"publish","type":"event","link":"https:\/\/musikkons.dk\/en\/events\/27878\/","title":{"rendered":"CALLS TO THIS NUMBER ARE BEING DIVERTED"},"content":{"rendered":"
The concert is Matthew Grouse’s debut concert from The Royal Academy of Music, Aarhus<\/div>\n
<\/div>\n
AUT presents evening length music theatre set in an absurd call centre, written by composer Matthew Grouse. There will be 3 showings at Teater Refleksion, Aarhus between 2-4 February 2024. Each performance is preceded by a participatory installation in the theatre’s foyer.
\n________________________________________________________
\nDATES:
\nFriday 02.02 – Doors open for installation at kl.19 \/ Performance starts at kl.20<\/div>\n
Saturday 03.02 – Doors open for installation at kl.19 \/ Performance starts at kl.20<\/div>\n
Sunday 04.02 – Doors open for installation at kl.15 \/ Performance starts at kl.16
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\nTickets: 100kr adults \/ 50kr students
\n________________________________________________________
\nATTENTION! Interested audience members are highly encouraged to sign up for some optional extra material, delivered over the phone in the run up to the performance. Find out more and sign up at this link: https:\/\/forms.gle\/Vpo3uKT2yfjwweEE9<\/a>
\n________________________________________________________
\nAbout the performance: At the data collection agency \u2018Re-sounding Success\u2019, call centre workers equipped with instruments sit behind their computer screens, waiting (played by Andreas Borregaard and Anna Jalving). While they wait to be transferred, the hold-music of each company on their call-list is played by a live house band that can only be glimpsed as silhouettes behind an illuminated screen. (hold-music trio: Kirstine Elise Pedersen, Hsiao Tung Yuan and Joss Smith). Operating at the boundaries of new music, experimental theatre involving audience participation, and interactive installation art, the project\u2019s central themes land on the unsettling musicality buried in repetitive labour, cold-calling and workplace technology; the psychological effects of hold-music; and existential questions surrounding time, purpose and agency.
\n________________________________________________________
\nTEAM:
\nComposition\/concept: Matthew Grouse
\nProduced by: Aarhus Unge Tonekunstnere
\nSoloists: Andreas Borregaard (accordion and voice) and Anna Jalving (violin and voice)
\nEnsemble musicians: Hsiao Tung Yuan (percussion, keyboards, voice), Kirstine Elise Pedersen (cello, guitar, voice), Joss Smith (clarinet, whistles, melodica, voice)
\nDramaturgical consultant: Anna Sofie Keller Brandsborg
\nSound technician: Morten Elkj\u00e6r
\nProduction assistance: Jacob Ridderberg and Frederik Sakham
\nContributions to installation and visuals: Jan Giedroyc
\nVoice acting: Jan Giedroyc, Lily Grouse, Sam Wilson, Harry Gorski-Brown
\n________________________________________________________
\nIn partnership with: Current Resonance, Teater Refleksion, K!ART, Don’t Look Back Records
\n________________________________________________________
\nAUT is extremely grateful to the following foundations for financially supporting the project:
\nStatens Kunstfond, William Demant Fonden, Det Obelske Familiefond, Augustinus Fonden, Dansk Komponistforening , KODA Kultur, CAC Fonden, Knud H\u00f8jgaards Fonden, Statens Kunstfond, Aarhus Kommunes Musikpulje
\n________________________________________________________
\nThe event is suitable for people 12 years and up<\/div>\n

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