{"id":19384,"date":"2022-03-30T17:39:16","date_gmt":"2022-03-30T15:39:16","guid":{"rendered":"https:\/\/musikkons.dk\/events\/duo-dan-nie\/"},"modified":"2022-03-30T17:40:04","modified_gmt":"2022-03-30T15:40:04","slug":"duo-dan-nie","status":"publish","type":"event","link":"https:\/\/musikkons.dk\/en\/events\/duo-dan-nie\/","title":{"rendered":"Duo Dan \/ Nie"},"content":{"rendered":"

Duo Dan\/Nie: <\/em>
\nSofie Thorsbro Dan, violinist and performer<\/em>
\nFei Nie, pianist and performer<\/em><\/p>\n

Aya Yoshida: Decode for violin and piano (2020) (10′)<\/strong>
\n“Music is the collections of the movements and so is fashion. The piece \u201cDecode\u201d is inspired by Danish fashion designer L\u00e6rke Valum\u2019s collection \u201cDecode\u201d and its limitation of the physical movements. The fashion follows the music and music follows the fashion.”
\n– Aya Yoshida<\/p>\n

James Black: Colossi for violin, piano and video (2020) (22′)<\/strong>
\nI – Now Entering
\nII – Liberty White
\nIII – Another room 90#3
\n“Colossi was completed quite a while ago – about a month before the coronavirus pandemic first hit – so I’ve had plenty of time since then to reflect on what it contains. It is a kind of inelegant, hastily-assembled collage, encompassing gesture-music, video, storytelling, text, electronic music, and, by the end, pure instrumental playing. There is no central concept to the piece, but there are a few threads that can be teased out: size (and especially ‘bigness’), conflict, childhood, ‘det uoverskuelige’, romanticism (in the sense of extreme sentimentality), gender, play, memory, death, change, computer games, family, and Schubert (especially the G-flat major impromptu, a piece I have worked with a few times, and that I also played, inexpertly, for my grandma in 2008 while she was dying, because she loved Schubert).”
\n– James Black<\/p>\n

Xavier Bonfill: 2×2 (2020)<\/strong>
\n“The line between what is organic and what is artificial has always been a great inspiration in my music. I live on Refshale\u00f8en in Copenhagen: a place where nature and industrial surroundings meet. The reason I feel at home there is probably because it reminds me, (in a much more idyllic way) of my hometown, Granollers, an industrial suburb 30km north of Barcelona.
\nIn 2020, during the first Covid lockdown, I released the album \u201cRefshale\u00f8en Tapes, vol I\u201d; a collection of improvisations and sketches on modular synthesizer. The track “four_part_drone” was later remade into a new work, “2×2″ where two performers recreate the synthesizer piece with their own choice of instruments and midi pedals that transpose their sound in real-time. The music moves, but always finds a way to make itself at home.”
\n– Xavier Bonfill<\/p>\n

B\u00e1ra Gisladottir: Prussian Blue for violin and piano (2017) (11′)<\/strong>
\n\u201cThe idea behind the piece is to paint a musical painting with the pigment Prussian blue. Prussian blue is a dark blue pigment with the idealised chemical formula Fe7(CN)18. The music depicts the colour itself as well as the creative process of a painting; preparation, pigment mixing, failed attempts, splashing despair, detailed manual dexterity, from unfocused overview to a focused zoom in on the finest textures, and the question of where and how to end it all.\u201d
\n– B\u00e1ra Gisladottir<\/p>\n","protected":false},"featured_media":19258,"template":"","meta":{"_acf_changed":false},"acf":[],"yoast_head":"\nDuo Dan \/ Nie - Det Jyske Musikkonservatorium<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/musikkons.dk\/det-sker\/duo-dan-nie\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Duo Dan \/ Nie - Det Jyske Musikkonservatorium\" \/>\n<meta property=\"og:description\" content=\"Duo Dan\/Nie: Sofie Thorsbro Dan, violinist and performer Fei Nie, pianist and performer Aya Yoshida: Decode for violin and piano (2020) (10′) “Music is the collections of the movements and so is fashion. 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